![]() On that front, the Factory Library is a good place to start for less power-hungry options. Of course, CPU usage is going to suffer, given that you’re running all your plugins inside the coding environment(sorry, no ability to compile VSTs.), but it’s still possible to achieve great sounds from more conservatively-designed ensembles(the term for any instrument or effect made in Reaktor). Unsurprising, given the possibilities of such low-level signal manipulation. ![]() To my ears, Reaktors DSP sounds fantastic, and all of the NI-designed ensembles have quickly made it to the top of my most-used list. Having said that, I still think Reaktor poses an interesting value proposition. After all, at it’s core, Reaktor is still a coding environment, a la Max4Live. Obviously, this is a bit of a double-edged sword – given the nature of Reaktor, the majority of budding producers are likely to opt for something more user-friendly. For $199 when purchased individually, you’re getting a DSP playground with the capability to host damn near anything you could dream up. I’ll say it right now Reaktor is probably the best deal there is, as far as software synthesizers go. This is the first in a series of reviews I’ll be doing on the products included with Komplete 11 Ultimate. I was previously planning to pick up the standard edition of Komplete 12 upon release, but for only $100 more, 11 ended up being the better option. ![]() Recently, I had the opportunity to nab Komplete 11 Ultimate for $700.
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